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Atlasttheateragain! Butthenpleasealsothewayitshould be:liveandinfrontofanaudience.
Andplayedasitshould be.
Yeah, buthow’sthat? Likeyou’veseenit before? Howdidtheauthorthinkitwould be?
LikeAristotle, GeorgeII. Brecht, StanislavskyorStrasbergtaughtit? Orgenderfluid,
politicallycorrect, multimedia, experimental?
Let’stakealook behindthescenes, attheoriginsoftheatreintoday’stimes!
Orratherseveralglancesatonce. Becausewhatkindofcharacterscancollideandhow
thesametextual basiscanbe usedfordifferentresults, thatiswhatLutzHübnerscreaming
comicallycapturedinanentertainingsequenceofscenesthatseemstobecabaret-likeoverdrawn, but
isprobablynotsofarremovedfromtherealityofprofessionaltheatrehereandthere.
There’sthepainlinedirector, thediva, thetheaterhero, theshorteningfanatic, thenovice,
thehostandmanyotherprototypicalfigures.
Afeastforthelaughtermusclesandatthesametimeapsychogramofanancientart,
whichcanalwayssurprise.