Responsible: Prof. Dr.-Ing. Alexander Raake and Diplom-Künstler S. Baucks (Gastdoz. Fak. EI)
Target group: Bachelor of Media Technology, Research in Media Engineering and Bachelor Applied Media and Communication Studies
Teaching language: German / English
Offered in winter semester, 3 Ü
Description in the module lists with link to the learning management system Moodle
The aim of this course is to explore the connection between technology, artistic design and quality assessment in the creation of film sequences with objects and actors in studio and outdoor settings. Students will have the opportunity to work with high quality camera equipment that is Hollywood level. A central focus is on so-called "High Dynamic Range" (HDR) technology, which is made possible by modern camera and screen technology and is available during the course. This includes cameras such as the ARRI Alexa LF Mini, Canon C500 M II, high resolution screens such as Sony Trimaster X310 and various large format 8K HDR screens as well as professional 4K/8K/HDR editing suites and more.
So what exactly is the difference between HDR and classic "Standard Dynamic Range" (SDR)? With HDR, the dynamic range, i.e. the range between the brightest and darkest areas of a scene, is much larger than with SDR. When you watch HDR sequences, they look more natural and offer a more intense visual experience. This allows for a more immersive perception, where viewers can become more deeply immersed in the scene.
The students take on the classic work tasks in film productions, such as cameraman/woman, director:in, scriptwriter:in, lighting supervisor:in, sound engineer:in, recording supervisor:in, post-production engineer etc.